Some thoughts on… Choosing Our Destiny
The Obama Administration is implementing controls over unprecedented areas of society for the United States. As the government extends its reach, diverse voices have raised objections to the visible hand of the State – judicial arguments are working their way up to the Supreme Court to challenge the mandatory extension of healthcare to all US citizens; economic arguments proliferate against financial reforms on Wall Street to prevent conflicts like Goldman Sachs taking both sides on the sales of Paulson’s synthetic CDO’s.. Undoubtedly, with an open deep sea spigot spewing crude oil into the Gulf of Mexico, once that problem is resolved, further restrictions will be placed on drilling.
But is it not hubris for the government to believe that it should control and regulate these things? The neo-classical economic argument is that governments should interfere only when there is a public good, i.e. it is not in an individual or organizational interest to solve a particular problem. Shouldn’t we just let the events play out and let either markets, companies or individuals resolve these matters? Let’s see what the Arts have to say about these questions.
Sherri Renee Scott’s new show Everyday Rapture introduces us to the wide-eyed story of a Broadway semi-star as she moves from small time Oklahoma to Manhattan. Strutting her vocals and legs, Scott endears us to a proverbial tale – a person struggling to break from the espoused ideals of her conservative upbringing and to reconcile them with the morals of an adopted, cosmopolitan home. AIDS, abortion and fame are a few of the cherished memories she weaves into what one assumes is a semi-biographical story.
At the beginning of the program, we find her balancing two contradictory ethics – “The world was created for me” versus “I am just a speck of dust”. The first ideal plays to the narcissism of New York – demanding self-determinism and unbridled passion to succeed. The second commands a recognition that we move forward only through the communal interplay and dependence on the greater populace. Alone we are blown aimlessly by the universal winds, together we form permanence. True happiness is not found in the glory of an ephemeral Broadway hit or of an afterlife filled with angels. Instead, we find it through daily interactions – the minute joys of being mindful to the raptures we discover everyday. Scott’s show transcends us to this epiphany with glamour, glee and gravitas. It’s a jeweled performance not to be missed.
The final season of Lost completed this past week. Over its six year run, the series tangoed with two primary arguments: 1) Should people be driven by faith or reason to understand the secrets of existence and 2) Are we bound by destiny or do we have the ability to choose the outcomes of our lives. Stranded on a desert island due to a plane crash, the characters warp and weft through the two themes determined to live together and eventually die alone. The mythology is grand with crooked mysteries resulting in humanistic revelations.
Through the episodes, we find ourselves also lost and eventually found in the intricate stories of science fiction, boundless evil and human kindness. At the end of the interlaced plots, the storytellers provide a clear answer to the two arguments – people must balance faith and reason in order to choose their destiny. Although selected by circumstance to arrive on the island, the characters purposefully struggle to be together and choose to overcome their fate by meeting in the next life to reach enlightenment. This is Nirvana – the realization that we thrive only because we are linked and ultimate happiness is not individual gain but collective mindfulness that we are connected.
The government’s role on regulating finance, health care and the environment is contentious because at face none of the underlying issues are legally wrong – banks repeatedly buy and sell the same assets; people can choose not to have insurance; companies need to recover resources to fulfill the population’s needs. Goldman Sachs and British Petroleum may not have done anything illegal, but their motives seem ethically wrong, because they somehow go against our sense of community and need for watching out for each other. The actions are too self-oriented without regard to the concerns of the society that supports these companies and individuals.
Our regulatory and legal landscapes have to catch up with our internal recognition that the world was not created for us alone—we are but specks dust. We can do this by moving beyond the focus on just our desires to connecting with individuals who also suffer or gain from our actions. Banks should not profit from selling an asset that they are also betting against. Energy companies should have an equal array of technology back-ups to halt oil removal as they do to extract it. An individual not carrying health insurance is similar to a driver not having car insurance – a liability to society. Unlike the characters in Lost, we will likely die alone, but we can choose how we live together.
May 31, 2010
But is it not hubris for the government to believe that it should control and regulate these things? The neo-classical economic argument is that governments should interfere only when there is a public good, i.e. it is not in an individual or organizational interest to solve a particular problem. Shouldn’t we just let the events play out and let either markets, companies or individuals resolve these matters? Let’s see what the Arts have to say about these questions.
Sherri Renee Scott’s new show Everyday Rapture introduces us to the wide-eyed story of a Broadway semi-star as she moves from small time Oklahoma to Manhattan. Strutting her vocals and legs, Scott endears us to a proverbial tale – a person struggling to break from the espoused ideals of her conservative upbringing and to reconcile them with the morals of an adopted, cosmopolitan home. AIDS, abortion and fame are a few of the cherished memories she weaves into what one assumes is a semi-biographical story.
At the beginning of the program, we find her balancing two contradictory ethics – “The world was created for me” versus “I am just a speck of dust”. The first ideal plays to the narcissism of New York – demanding self-determinism and unbridled passion to succeed. The second commands a recognition that we move forward only through the communal interplay and dependence on the greater populace. Alone we are blown aimlessly by the universal winds, together we form permanence. True happiness is not found in the glory of an ephemeral Broadway hit or of an afterlife filled with angels. Instead, we find it through daily interactions – the minute joys of being mindful to the raptures we discover everyday. Scott’s show transcends us to this epiphany with glamour, glee and gravitas. It’s a jeweled performance not to be missed.
The final season of Lost completed this past week. Over its six year run, the series tangoed with two primary arguments: 1) Should people be driven by faith or reason to understand the secrets of existence and 2) Are we bound by destiny or do we have the ability to choose the outcomes of our lives. Stranded on a desert island due to a plane crash, the characters warp and weft through the two themes determined to live together and eventually die alone. The mythology is grand with crooked mysteries resulting in humanistic revelations.
Through the episodes, we find ourselves also lost and eventually found in the intricate stories of science fiction, boundless evil and human kindness. At the end of the interlaced plots, the storytellers provide a clear answer to the two arguments – people must balance faith and reason in order to choose their destiny. Although selected by circumstance to arrive on the island, the characters purposefully struggle to be together and choose to overcome their fate by meeting in the next life to reach enlightenment. This is Nirvana – the realization that we thrive only because we are linked and ultimate happiness is not individual gain but collective mindfulness that we are connected.
The government’s role on regulating finance, health care and the environment is contentious because at face none of the underlying issues are legally wrong – banks repeatedly buy and sell the same assets; people can choose not to have insurance; companies need to recover resources to fulfill the population’s needs. Goldman Sachs and British Petroleum may not have done anything illegal, but their motives seem ethically wrong, because they somehow go against our sense of community and need for watching out for each other. The actions are too self-oriented without regard to the concerns of the society that supports these companies and individuals.
Our regulatory and legal landscapes have to catch up with our internal recognition that the world was not created for us alone—we are but specks dust. We can do this by moving beyond the focus on just our desires to connecting with individuals who also suffer or gain from our actions. Banks should not profit from selling an asset that they are also betting against. Energy companies should have an equal array of technology back-ups to halt oil removal as they do to extract it. An individual not carrying health insurance is similar to a driver not having car insurance – a liability to society. Unlike the characters in Lost, we will likely die alone, but we can choose how we live together.
May 31, 2010